The dialogical meanings do not incorporate as literary and musical arts in relation to the daily life of the city of Rio de Janeiro. Work as reverberations enunciated in a language construction from the Bakhtin Circle.
The right to literature - as Antonio Candido (1970) puts it - is not always easily accessible in our society. In many Brazilian homes, especially those whose families have little purchasing power, literary reading seems to be seen as a luxury, and luxuries are not for everyone. Allied to this is the fact that - because they are too busy with the primary needs of subsistence and leisure - many people end up not having time for activities in which there is no practical utility, such as reading literary Due to the lack of knowledge about the value and importance of literature in the life and formation of people, we propose a joint work of the literary and musical arts - and from the textbooks - in order to (re)think meanings for a clash about reality that permeates the city of Rio de Janeiro. To this end, we will seek to operationalize the concepts of the Bakhtin Circle to a methodological proposal that deals with empathy through the confrontational dialogues. The concepts of discursive interaction, dialogism, everyday ideology, formed ideology and responsiveness will be used for a look at everyday issues. Thus, it is fundamental to understand the space - through a literary text or a song - in which we are inserted. Thus, we will start from a connection through these arts: in texts, lyrics and harmony, costumes, characters, identity, etc. With this, we hope to reach a proposal that can generate intelligibility from clashes of utterances.
